A place where I'll post up some thoughts and ideas - especially on literature in education, children's literature in general, poetry, reading, writing, teaching and thoughts on current affairs.
Monday, 29 September 2014
New Poem: Underground
It said, ‘Please use the stairs’, so everyone turned
right at the end of the platform. Someone with a
buggy hesitated and there was a blockage behind
it. Someone grabbed the front and the flow carried
on. At the bottom of the steps there was a tunnel.
It turned sharply. We followed it round. There
must have been hundreds of us. Someone was
whistling. A man near me was doing that sniff-cough
thing: sniffing hard, which made him cough. We
weren’t really walking. Shuffling, more like. Then
the tunnel turned again. More steps going
down. We glanced at each other. Just because the
escalators weren’t working, surely we didn’t need
to be going quite so far down? At the end of these
steps there was another tunnel. It seemed temporary:
no advertisements on the wall. And no tiles either.
Just raw cement. Then the lights flickered and
dimmed. That set off some shouting. A child up
ahead start to scream. A few people were talking,
asking each other if they knew this part of the
station. Someone near me said that it was the
‘Transit Route’ for the maintenance crew and we
would come out by the post office. Someone
way back shouted that they were sorry the lights
had failed, asked us to be patient and it would
be sorted as soon as possible. We carried on
shuffling, though much more slowly. The floor was
untiled too. More like gravel.After a spell of this, it
became less dark, and the tunnel opened out into
a chamber, a kind of hall. Now there were one or
two station staff, holding out their arms at full stretch
sideways, as if they were making a passageway. And
nodding. I thought, what’s with the nodding? One of
them was saying, ‘This way.’ There was no other way.
As people filed into the hall behind me, another
station person started making an announcement
on a megaphone:.. ‘...thanks very much for your
patience...not an emergency...precautions....security...
held here for a short while...’
Then she said that it would greatly help if we could
separate into two groups, those who travelled regularly
on the transport system and those who were new to it.
People started filtering right and left and I heard an
argument near me when someone said that a child
couldn’t be someone who had ‘travelled regularly on the
transport system’. The father - if that’s who it was - started
shouting, ‘What do you want me to do with him? He’s
five years old. Send him over there on his own?’ And
he got the reply, ‘Well that’s what they’re asking.’ One
or two people couldn’t understand what was going on
and were trying to find out more. So people were
pointing over to the side of the hall for people who
don’t travel regularly on the transport system. I had a
sense that those of us who do travel regularly on the
transport system were being let down another tunnel
and we shuffled off down it and there were more staff
with their arms out, nodding. The people who didn’t
travel regularly on the transport system stayed behind in
the hall. At the other end of our tunnel there were some
steps up to the street but it wasn’t by the post office. It
was nowhere near the post office.
Saturday, 27 September 2014
New poem: Car Alarm
I wondered if car alarms go off in the night
because they feel unappreciated. When they
go off, they know that people have turned over
in their beds thinking about them. The other night,
an alarm was going off in bursts of eighteen.
Then a pause. Then another eighteen. After
about five bursts, I tried counting in between.
It came out as twelve. After the tenth burst the
alarm changed. A second beat came in, then a
guitar. It was a remix of that song they released
after Bob Marley died, ‘Blackman Redemption’. In
fact, I think the release was a remix...I went
downstairs and put on a pair of trousers. I went
into the street, walked down to the car and I was
right. I wondered whether there was any recording
of Bob Marley doing it without the remix. After that
bit where it goes, ‘Spread ou-ou-ou-out...’ , it went
back to doing the alarm. Bursts of eighteen. I
counted the twelve in between and went back indoors
to bed.
because they feel unappreciated. When they
go off, they know that people have turned over
in their beds thinking about them. The other night,
an alarm was going off in bursts of eighteen.
Then a pause. Then another eighteen. After
about five bursts, I tried counting in between.
It came out as twelve. After the tenth burst the
alarm changed. A second beat came in, then a
guitar. It was a remix of that song they released
after Bob Marley died, ‘Blackman Redemption’. In
fact, I think the release was a remix...I went
downstairs and put on a pair of trousers. I went
into the street, walked down to the car and I was
right. I wondered whether there was any recording
of Bob Marley doing it without the remix. After that
bit where it goes, ‘Spread ou-ou-ou-out...’ , it went
back to doing the alarm. Bursts of eighteen. I
counted the twelve in between and went back indoors
to bed.
Friday, 26 September 2014
Who is the Enemy?
Who is the enemy?
The enemy are the people who do terrible things.
Do we do terrible things?
No.
Who is our friend?
Our friends are good.
Do they do terrible things?
No.
Thank you, I am happy now. Tra la…tra la.
The enemy are the people who do terrible things.
Do we do terrible things?
No.
Who is our friend?
Our friends are good.
Do they do terrible things?
No.
Thank you, I am happy now. Tra la…tra la.
New poem: Tattoos
I had a thought that I would be the last person
in London who didn’t have a tattoo. I was looking
in the window of a tattooing place and saw a sign
that said, ‘Tattoos: seen, foreseen and unseen’.
I went in and said to the man, ‘Excuse me but
your sign, ‘Tattoos: seen, foreseen, and unseen’
what’s that about?’
He said, ‘A tattoo that’s seen is one that you can
see. A tattoo that’s foreseen is one that you choose
which people you want to see it. A tattoo that’s
unseen is one you can’t see.’
‘I get the ‘seen’ tattoos,’ I said, ‘but what’s this
foreseen one, how does that work?’
‘They’re digitally pre-arranged tattoos, so they
can only be seen by the people you choose.’
Wow,’I said.
‘There’s an app on phones now,’ he said, ‘which we
hook up to. The app does it. You programme in
who you want to see your tattoo. I’ve got a tattoo
here,’ he said pointing to his arm, ‘now you can’t
see a tattoo there, but now look on this phone,
and there - see - a tattoo.’
‘Well, actually, I can’t.’
‘Oh, well, it’s just booting up...but you will,’ he said.
‘Great,’ I said, ‘I can think of a lot of uses for that.
Now, the other one, unseen tattoo, is that one that’s
hidden, like- under your clothes or something?’
‘No,’ he said, ‘it’s one that no one can see.’
‘You mean, it’s somewhere private?’ I said
‘No, no, it’s an invisible tattoo,’ he said,’we do
the tattoo, anywhere on the client, but no one can
see it. I’ve got one here,’ he said and pointed to
his arm. ‘See that,’ he said, ‘you can’t see that
can you?’
‘No,’ I said, ‘that’s perfect. I can’t see a thing.’
Thursday, 25 September 2014
New poem: Escalator
I got on a down escalator at a station
and I remember thinking it was
a bit strange that I was the only person
on it, I noticed an ad for kiwi fruit. I
was thinking that’s the first time I’ve
ever seen an ad for kiwi fruit on the
walls of the escalator and at that
moment I looked ahead to the part
of the escalator where you get off,
where there’s a big metal plate
that you walk on to, off the end of
the escalator.
But it wasn’t there. There was no
metal plate. There was just a gap.
A dark space.
I had my bag with me. In it was the
dish I had when I was a baby, the one
with a rim round it. And some papers with
stuff that I had written or was going to
write or had forgotten to write. Looking
ahead at the dark space felt like looking
down a corridor, as if I was at school,
the times I was sent out of class and sat
outside.
Towards the bottom, I remembered there
was the alarm. I thought for a moment
that I might press it. A bell would ring
very loudly and the escalator would
stop. By the time I had thought this I was
past it.
At the bottom I felt myself going over an edge.
I was in mid-air, floating with the bag.
I heard someone shouting.
Then I landed. I landed on someone.
No, I think it was two people.
Wednesday, 24 September 2014
New poem: Hair
I was in the barbers.
When the barber had finished cutting
my hair, he was about to flap my overall
and flick the offcuts on to the floor when
the bloke sitting next to me said,
‘Hang on there, can you save that?’
The barber stopped.
‘Mm?’
‘Yes,’ he said, ‘just hold it a moment
but can I have that hair?’
We all looked at each other
We looked at my hair sitting on the overall.
The man got up, took off his overall
and went over to his bag. He rummaged
about and took out a box. He
collected up my hair and put it in the box.
I found myself wondering whose hair
it was. Wasn’t it mine? Or did it now
belong to the barber? After all, it was
the barber who had cut it off and it
was the barber who was going to
sweep it up and put it in his bin.
I looked at the barber. Though I
remember I looked at the barber in
the mirror, which is not quite the same
as ‘looking at the barber’. The barber
said to me, ‘Is that OK with you?’ I said
to the barber in the mirror, ‘Is it OK with you?’
The man went on collecting up my hair.
‘What do you want it for?’ the barber
asked the man.
‘Tea,’ he said. ‘I make tea with it. This
is very good hair for tea,’ he said.
‘Most people’s hair is no good. This is
very nearly perfect.’
He collected up some more, closed
his box and sat down. I looked at the
barber - face to face this time. We
kind of shrugged with our eyes, didn’t
say anything. I paid him, said goodbye
to the man and walked out.
On the way home, I thought, what did
he mean ‘very nearly’ perfect? Why
wasn’t it ‘perfect’? I looked at the hair of
of the people on the bus. Is his hair
perfect for making tea? Or hers? Or his?
Or hers?
Tuesday, 23 September 2014
Once upon a time there was Bourdieu….
Once upon a time there was a man called Bourdieu who looked at what he called a 'habitus', the total psycho-socio-economic pictures - and variation between them - of homes according to class and education. He suggested that one of the ways in which class 'reproduces' itself is through the fact that we have devised an education system which suits one kind of class habitus more than another. This was a critique of education more than a 'blame the victim' view of how working class people live. Bourdieu looked at schools in France to see how certain uses of language, 'framing' of knowledge fitted neatly into way language and knowledge was handled in homes where parents had already had higher education. Other researchers looked at how schooling downgrades 'unofficial' knowledge as less valid e.g. cooking, gardening, car maintenance and of course art, music and drama…So even when those abilities and capabilities start to show in children they don't show up as 'high achievement' in school data…but as bodies of knowledge they are no less valid than Latin or English Literature, say. Then Hirsch et al came back and said that it was precisely this kind of talk that was holding poor children back, because lefty teachers weren't teaching poor children Latin and Shakespeare.
Further, the right took Bourdieu up as a stick to beat the left with, claiming that we used Bourdieu's ideas to justify low aspiration even though most of the 'left' teachers I knew/know beat their minds out helping children from poor backgrounds do as well as they can.
Again and again, though 'researchers' find that poverty is a clear marker of low school attainment and that rebranding a school as an academy and/or getting it to be 'outstanding' doesn't significantly close the gap between poor children and the rest. This catches the right on the hop because it defies their take on the argument that poverty is related to school attainment i.e. they say they can overcome poverty through creating academies and bringing in 'rigour'. However, this leaves out the questions of whether schools themselves are geared in such a way as to be unable to use the talents and capabilities of everyone in an equal way.
It is often left unquestioned when talking about 'attainment' that this is something 'objective' when in fact the methods of testing determine a particular way of thinking (not co-operation, right and wrong answers only) and the curriculum (based on 'core' knowledge as opposed to 'society's knowledge and needs') are determining who succeeds and who fails anyway. Moreover, the system is built to fail a percentage of pupils - no matter what happens. HIgh stakes testing throughout schooling means that there is an inbuilt failure rate that must be 'achieved' - no matter what knowledge systems are in place. This failure rate is pre-determined by examiners and the school authorities. It's as if they have a lever they use to ensure they get whatever results they want. And they seem to have a willing press and media to buy this crap as if the percentages they trot out each year are deeply significant.
It's just wonks sitting in offices fiddling with graphs.
Monday, 22 September 2014
New Poem: George and the Window
George is eating the window.
He knows he shouldn’t.
George is eating the window
we wish he wouldn’t.
We like the window.
It’s what we look through.
Soon there’ll be nothing there
apart from the view.
New Poem
He found a way of waking himself up.
As he was going to sleep he kept
saying to himself, “Wake up! Wake up!”
He dozed off with these words in his
mind, over and over again, “Wake up!
Wake up! Wake up!”
At around 7 in the morning he found
himself dreaming that he was asleep
in the back of a car and someone
was outside the car, shouting,
“Wake up! Wake up! Wake up!”
In his dream, he woke up and
because he knew he was in his
dream he wondered if that meant
he was still asleep.
Still in his dream, he realised
who it was who was shouting,
“Wake up! Wake up! Wake up!”
It was him. The person outside the
car was him.
Still in his dream he stared at
himself. The ‘him’ that was shouting
“Wake up!” stared at the ‘him’ who
had woken up.”You’re still asleep!”
he shouted. “You think you’ve woken
up but that’s in the dream. In fact
you’re asleep.”
“Then who are you?” the sleeping
him said.
“I’m the you, who is waking you up,”
he said.
“But you’re in the dream, so you’re
asleep as well, aren’t you?” he said.
“Yes,” said the him that was waking
him up.
“So how will you wake up?” he asked.
“I don’t know,” he said, “all I know
is that I have to wake you up?”
“But how can you wake me up
if you’re asleep?”
That morning, he woke up later
than he had ever woken up before.
Sunday, 21 September 2014
New poem
Expedition
One of the most extraordinary expeditions
of all time occurred in 1854
when a group of explorers left London
on a bright summer’s day in July in
search of nothing. The leader of the expedition
was Sir Roland Whisper, a man
who had investigated nothing for longer
than any other person alive. For years
he had pored over maps and charts
with this great task in mind. He gathered
around him a team of fearless adventurers and
London’s finest journalists signed up to
Sir Roland’s team on the off chance
that they might be the first writer to send
back to London the report that a great
Englishman had discovered nothing.
of all time occurred in 1854
when a group of explorers left London
on a bright summer’s day in July in
search of nothing. The leader of the expedition
was Sir Roland Whisper, a man
who had investigated nothing for longer
than any other person alive. For years
he had pored over maps and charts
with this great task in mind. He gathered
around him a team of fearless adventurers and
London’s finest journalists signed up to
Sir Roland’s team on the off chance
that they might be the first writer to send
back to London the report that a great
Englishman had discovered nothing.
And so, with their eyes fixed on the
distant horizon, the plucky little expedition
boat sailed out of the Pool of London.
On quayside, wives, friends and well-
wishers bid them godspeed, hoping and
praying that the expedition would be
a success. The sails of the boat
disappeared from view, expectation
was high and though one or two of those
waving goodbye might have been beset
with the occasional doubt, none could
have predicted that not a single member
of the expedition would ever return.
As a result, no one knows whether
Sir Roland’s expedition force did or
did not achieve the great prize of
finding nothing.
distant horizon, the plucky little expedition
boat sailed out of the Pool of London.
On quayside, wives, friends and well-
wishers bid them godspeed, hoping and
praying that the expedition would be
a success. The sails of the boat
disappeared from view, expectation
was high and though one or two of those
waving goodbye might have been beset
with the occasional doubt, none could
have predicted that not a single member
of the expedition would ever return.
As a result, no one knows whether
Sir Roland’s expedition force did or
did not achieve the great prize of
finding nothing.
New Poem
Blinking.
Two stars were talking to each other.
The bright one said, “You’re blinking.
You keep blinking.”
“I was winking, not blinking,” said the
dull one.
“No, you’re blinking. There. Then.
That was a blink. That was definitely
a blink,” said the bright one.
“OK, it was a blink.” said the
dull one, “OK, OK, OK.”
“No need to get huffy. I’m not
being horrible,” said the
bright one, “I was just saying.”
“Fine, fine, just leave it,” said
the dull one.
“I am leaving it. I wasn’t saying
that there’s anything wrong with
blinking. Or winking. If you
want to blink, just blink,” said
the bright one.
“I know, I know, I know,” said
the dull one.
“It’s just blinking, it’s no big
deal,” said the bright one.
“I know,” said the dull one, “you’re
blinking too.”
“I’m not,” said the bright one.
“What do you mean, you’re not?”
said the dull one, “it’s what we do.
We sit up in the sky and we blink.”
“Well maybe you do, but I don’t,”
said the bright one.
“It’s OK to blink,” said the dull one.
“I know it’s OK to blink, I told
you it was OK to blink,” said
the bright one, “so leave it.”
“I AM leaving it. I wasn’t saying
that there’s anything wrong with
blinking. Or winking. If you
want to blink, just blink,” said the
dull one.
“I know, I know, I know, I was the
one who was saying that there
wasn’t anything wrong with blinking
in the first place,” said the
bright one.
“It’s just blinking, it’s no big deal,”
said the dull one.
“I know,” said the bright one.
Saturday, 20 September 2014
New poem: Wasps
Wasps
I was swatting a wasp with my
fly swat when I heard it say,
‘Cut that out, you’re swatting
the wrong guy, I’m on your side.
I’m an undercover wasp fighting
for you.’
I said, ‘I’m not fighting anyone.’
He said, ‘Oh yes you are, look
at that swat. One swipe through
the air and BLAM! and I’m
done for. It may not look like
war to you, but it sure looks
like that to us.’
‘Us?’ I said, ‘who are you talking
about with this ‘us’? A moment ago,
you were on my side.Now it’s ‘us’.
So you’re not on my side, are you?’
‘Yes I am,’ he said, ‘but I’m still
a wasp. I think like a wasp, I
do wasp stuff.’
‘I don’t get this,’ I said, ‘I’m just
trying to stop you stinging me.’
‘What’s stinging got to do with it?’
he said,‘what is it with you people
on and on about stinging….?
...sting, sting, sting.’
‘That’s because you sting,’ I said.
‘But it’s not all we do,’ he said,
‘we’re not just stingers. We’re
wasps.’
‘Yes, yes,’ I said, ‘but you do sting,
and I’ve discovered
this way to stop you stinging:
it is what you said it was: swipe,
BLAM! That stops stinging.’
‘Yes, yes, I know,’ he said,
‘but you’re not listening to me:
I’m as much against stinging as you.’
Just then, another wasp turned up.
‘C’mon, let’s go,’ he said.
‘Sure,’ said my wasp, ‘this guy
isn’t worth the hit.’
‘What do you mean, “not
worth the hit”?’ I said, ‘what’s
the matter with me?’
But my wasp and his new pal
were off and away and I really
didn’t know where I was with all this.
Friday, 19 September 2014
New poem called 'Cows'…for you to try out soon?
Cows
We went for a walk
and we went past a farm
and on towards some woods
and past the woods
out to an empty sort of a place
and no one lived there
but there was a tower
and we walked up to the tower
and it was full of cows,
I figured that the cows
had run away from the farm
and were living in the tower.
It was a cow tower.
I was trying to work out
how the cows got to the top
of the tower when I saw
some doors open
and a cow walked out.
It was a lift,
the cows were using the lift,
and my dad said,
‘Phew, there’s a bit of a pong,
isn’t there?’
And I said, ‘That cow’s pressing
the wrong button.
It’s pressing the button
that keeps the doors open.
It’ll never go.’
My Dad said,‘Good point, Mick.’
We went for a walk
and we went past a farm
and on towards some woods
and past the woods
out to an empty sort of a place
and no one lived there
but there was a tower
and we walked up to the tower
and it was full of cows,
I figured that the cows
had run away from the farm
and were living in the tower.
It was a cow tower.
I was trying to work out
how the cows got to the top
of the tower when I saw
some doors open
and a cow walked out.
It was a lift,
the cows were using the lift,
and my dad said,
‘Phew, there’s a bit of a pong,
isn’t there?’
And I said, ‘That cow’s pressing
the wrong button.
It’s pressing the button
that keeps the doors open.
It’ll never go.’
My Dad said,‘Good point, Mick.’
Thursday, 18 September 2014
A new poem. Feel free to share it with young or old...
The Whooshing Sound
The doctor asked me to sit still
and then he handed me
a thing that looked a bit like a plug
and asked me to put it over my bellybutton.
I did that.
Then he attached a tube to the plug
and switched on a machine.
There was a whooshing sound.
For a while nothing happened
but then I started to feel my belly
swelling up.
‘You’ll feel your belly swelling up,’
the doctor said.
‘Yes,’ I said.
It felt a bit like having a tight belt on
or maybe having a bit too much to eat.
‘It may feel a bit like having a tight belt on,
or having a bit too much to eat,’ he said.
‘Yes,’ I said.
I went on swelling up
and I started to feel light,
as if I wasn’t sitting so heavily in the chair.
The machine went on making the whooshing sound.
Then, very slowly, very gently,
I found myself lifting off the chair.
‘Were you expecting this to happen?’
I said.
‘Yes and no,’ the doctor said.
‘What happens when it’s a no?’
I said.
‘Oh...sometimes, it leaks,’
he said,
‘I’m in the air,’ I said.
‘Yes,’ he said.
I was floating round the room.
‘Oh,’ he said,‘did I weigh you?’
‘No,’ I said.
‘It’s a bit late now,’ he said.
‘Yes,’ I said, ‘I wouldn’t know how to come down
from up here and stand on the scales.’
‘What’s your date of birth?’ he said.
‘Is my date of birth the same as my birthday?’
I said.
The window was open.
I looked out.
I don’t know if it was because I looked
or if it was because of the way the wind
was blowing
but I found myself drifting towards the window.
‘I think I’m floating out of the window,’
I said.
‘What did you say was your date of birth?’
he said.
‘I am floating out of the window,’
I said.
‘Is it, the 4th of June 19..?
I didn’t catch the rest
I was out the window and
too far off.
Too far away.
Wednesday, 17 September 2014
Another new poem...
Paper Plane
(for Simon Armitage and his book ‘Paper Aeroplane’)
When I was a kid
I once made a paper plane
that was so big
I went for a ride on it.
What happened was that
I was at the park
and I threw it
and as I let go of it
I jumped on it.
I flew over the bit
where we played football
and then over the pond
with the island in the middle.
What was great was the way
people looked up at me
and waved.
I loved the way they waved.
It made me feel really good
the way they waved.
The day hadn’t been good
up till then.
I had had an arithmetic test.
It didn’t go very well.
The landing wasn’t too good though.
The plane came down hard
and crumpled.
You know how paper crumples up.
That’s what happened.
I wasn’t what you might say was ‘hurt’.
Just a bit shaken up.
Some people came over and
asked me if I was alright.
I said, ‘Yeah, I’m fine.’
Someone said, ‘You’re not going
to leave all that paper there, are you,
sonny?’
I shrugged.
A woman helped me crumple it up
really small
and we put it in
a bin.
Then I went home.
My dad said,
‘How did the arithmetic test go?’
‘Not too good,’ I said.
Tuesday, 16 September 2014
Another poem to try out…today? Tomorrow?
A Whale Got On My Bus
I was on a bus
and a whale got on.
The recorded announcement said:
‘Please move down the bus
so that there is room for passengers
getting on the bus.
Please move down the bus
so that there is room for passengers
getting on the bus.’
We moved down the bus
and the whale squeezed in
and the doors closed.
I was next to the whale,
it said,
‘Sorry, I’m dripping.’
‘No worries,’ I said,
‘same thing happens to me
when I’m wearing my waterproof coat.’
‘What this much?’ said the whale.
I didn’t want to make the whale feel bad
so I said,
‘Well, yes actually.’
‘Do people complain?’ the whale said.
And I lied,
I said,
‘Yes,’ when in actual fact no one
had ever complained.
‘I can’t see all the way round the back of me,’
the whale said, ‘could you look to see
if I’m dripping over everyone back there?’
‘Sure,’ I said and I looked.
People were getting showered.
‘There’s a bit of dripping going on,’ I said.
‘I knew it,’ said the whale.
‘Do you have a towel on you?’
‘No,’ I said, ‘I don’t usually carry a towel around.’
‘Well,’ said the whale, ‘isn’t that typical!’
‘Is it?’ I said.
‘You get on a bus, you’re dripping wet
you ask for a bit of help, a bit of sympathy
and all you get is nastiness.
What is it with people, these days?’
‘I’m sorry,’ I said, ‘I just don’t have a towel.’
And then it all went quiet.
It was all a bit tense.
Awkward.
All you could hear was a
dripping sound.
Drip, drip, drip,drip...
I was on a bus
and a whale got on.
The recorded announcement said:
‘Please move down the bus
so that there is room for passengers
getting on the bus.
Please move down the bus
so that there is room for passengers
getting on the bus.’
We moved down the bus
and the whale squeezed in
and the doors closed.
I was next to the whale,
it said,
‘Sorry, I’m dripping.’
‘No worries,’ I said,
‘same thing happens to me
when I’m wearing my waterproof coat.’
‘What this much?’ said the whale.
I didn’t want to make the whale feel bad
so I said,
‘Well, yes actually.’
‘Do people complain?’ the whale said.
And I lied,
I said,
‘Yes,’ when in actual fact no one
had ever complained.
‘I can’t see all the way round the back of me,’
the whale said, ‘could you look to see
if I’m dripping over everyone back there?’
‘Sure,’ I said and I looked.
People were getting showered.
‘There’s a bit of dripping going on,’ I said.
‘I knew it,’ said the whale.
‘Do you have a towel on you?’
‘No,’ I said, ‘I don’t usually carry a towel around.’
‘Well,’ said the whale, ‘isn’t that typical!’
‘Is it?’ I said.
‘You get on a bus, you’re dripping wet
you ask for a bit of help, a bit of sympathy
and all you get is nastiness.
What is it with people, these days?’
‘I’m sorry,’ I said, ‘I just don’t have a towel.’
And then it all went quiet.
It was all a bit tense.
Awkward.
All you could hear was a
dripping sound.
Drip, drip, drip,drip...
Monday, 15 September 2014
Poem to try out in school tomorrow? (or today even)
Card trick without cards
He said:
I can do card tricks without cards.
I said:
Great.
He said:
Pick a card.
I said:
OK.
He said:
Have you done it?
I said:
Yes.
He said:
Put it back in the pack.
I said:
OK.
He said:
I’m shuffling the pack.
I said:
Great.
He said:
Is it this one?
I said:
Which one?
He said:
This one.
I said:
But you haven’t said which one it is.
He said:
I told you, I haven’t got a pack.
I said:
Right, I get you. Yes, it is that one. You picked the right one.
He said,
I know.
I said:
I can do writing without words.
He said:
Great.
I said:
Here’s what I wrote.
He said:
Nice.
I said:
Glad you like it.
Saturday, 6 September 2014
Roland Rance on the two-state solution of Israel
" Those who continue to advocate a "two-state solution" in Palestine, and who still maintain, despite all evidence to the contrary, that Israel might at some time relinquish control over the territories it occupied in 1967, must be wilfully closing their eyes to reality. They are ignoring the way in which the 1967-occupied territories are thoroughly integrated into Israel, and in which today the Occupation IS Israel.
Israel existed for just nineteen years within the Green Line, the pre-1967 border to which these fantasists believe Israel should withdraw. It has existed for 47 years with its expanded borders; it has been forced to disgorge the Sinai peninsula to Egypt, and part of the Golan Heights to Syria, but neither of these areas forms part of Palestine.
It was a salutary moment when, one day in 1984, I saw posters going up in Jerusalem regarding the conscription to Israel's army of kids born in June 1967. I realised that a whole generation had grown up, which had spent its entire life in "Greater Israel", and for whom tales of the state's pre-67 life were as remote as tales of the Attlee government are to me. By now, we are reaching the time when the first grandchildren of this 1967 generation will reach conscription age. Three generations living in the bizarre dichotomy of a state that purports to be democratic for its citizens, while maintaining military rule over millions of its subjects; but which is, in reality, one apartheid regime in the whole of Palestine.
No repartition of Palestine, no "two-state" stitch-up, no continuation of the unequal status of more than a million Palestinian citizens of Israel and the exile of millions of Palestinians, can possibly lead to a just and sustainable resolution of this conflict. Those concerned for the future welfare of Israelis, no less than those concerned for a just future for Palestinians, must join in the struggle for the abolition of political Zionism, and for a common future, in one democratic entity, for all of Palestine's current residents and exiles."by Roland Rance
Teacher (on Facebook) comments on exam regime
"I'm a primary school teacher, a parent and a child of the 80s Thatcher education.
I've seen with my own eyes how schools have changed for the worst. I've been battered by a system, I refuse to bow down to. I've watched children drilled for exams, in tears with their confidence in tatters as early as 7; children that are unable to develop the stamina to read whole texts as they're force fed 'extracts' which meet some assessment focus somewhere; children that are merely dots on a graph expected to move in a linear fashion towards a meaningless one dimensional exam that teaches them no self worth or life skills.
I've watched my own children suffer the same, and eagerly wait for the day that they leave and have hopefully survived the 'education' system that is imposed upon them, rather geared towards them as whole human beings.
It's a sad, sad tragedy. I remain in my job to fight it. To give richness, creativity, opportunity, thinking skills, resilience and self confidence that will provide that love of learning that our system sadly now overlooks.
There are some schools and teachers that still do it but we are fighting a battle and a tide that is becoming harder and harder and to be quite frank, it frightens me."
I've seen with my own eyes how schools have changed for the worst. I've been battered by a system, I refuse to bow down to. I've watched children drilled for exams, in tears with their confidence in tatters as early as 7; children that are unable to develop the stamina to read whole texts as they're force fed 'extracts' which meet some assessment focus somewhere; children that are merely dots on a graph expected to move in a linear fashion towards a meaningless one dimensional exam that teaches them no self worth or life skills.
I've watched my own children suffer the same, and eagerly wait for the day that they leave and have hopefully survived the 'education' system that is imposed upon them, rather geared towards them as whole human beings.
It's a sad, sad tragedy. I remain in my job to fight it. To give richness, creativity, opportunity, thinking skills, resilience and self confidence that will provide that love of learning that our system sadly now overlooks.
There are some schools and teachers that still do it but we are fighting a battle and a tide that is becoming harder and harder and to be quite frank, it frightens me."
"Good Ideas" in 7 tweets
You can't learn a fact without learning a way how to learn. You can't learn how to learn without learning a fact. Indivisible.
While reading a story, a child asks a question. Adult and child talk. Child learns that reading can lead to interpretation.
Child and adult on bus. Child asks question. Adult says, let's look that up when we get home. Child learns how and where.
Child collects some things. Child sorts into categories. Child learns how to compare and classify.
Child browses in library. Chooses. Finds one book good, one bad. Child learns about texts which offer interest or not.
While reading a story, a child asks a question. Adult and child talk. Child learns that reading can lead to interpretation.
Child and adult on bus. Child asks question. Adult says, let's look that up when we get home. Child learns how and where.
Child collects some things. Child sorts into categories. Child learns how to compare and classify.
Child browses in library. Chooses. Finds one book good, one bad. Child learns about texts which offer interest or not.
Child is in a club or activity. Compares the club leader or instructor with teacher at school. Child compares teaching and learning methods.
Child makes something. Collapses. No talk of 'failure'. Discuss why. Child tries again. It works. Discuss why.
"Good Ideas, how to be your child's (and your own) best teacher" (John Murray) publ Sept 11
Child makes something. Collapses. No talk of 'failure'. Discuss why. Child tries again. It works. Discuss why.
"Good Ideas, how to be your child's (and your own) best teacher" (John Murray) publ Sept 11
Wednesday, 3 September 2014
How 'we' 'solve' world problems
1. Someone 'abroad' does something horrible.
2. Our politicians explain that they are monsters and not doing things in a British way.
3. We start bombing.
4. We kill loads of people.
5. Someone 'abroad' does something horrible.
6. Our politicians explain that they are monsters and not doing things in a British way.
7. We start bombing.
8. We kill loads of people.
9. Someone 'abroad' does something horrible.
10. Our politicians explain that they are monsters and not doing things in a British way….
11...
2. Our politicians explain that they are monsters and not doing things in a British way.
3. We start bombing.
4. We kill loads of people.
5. Someone 'abroad' does something horrible.
6. Our politicians explain that they are monsters and not doing things in a British way.
7. We start bombing.
8. We kill loads of people.
9. Someone 'abroad' does something horrible.
10. Our politicians explain that they are monsters and not doing things in a British way….
11...
Tory Britain: Polly Toynbee visits Cameron's constituency
This comes from Polly Toynbee's article in yesterday's Guardian
"I just visited his Witney constituency – a safer seat is hard to find. Yet when you lift the yellow Cotswold paving stones, even there you find the depredations of his government biting deeply. The local housing association can’t find smaller properties for its 252 residents hit by the bedroom tax: 47% are in arrears. The local domestic violence service is losing its helpline and 40% of its funds, though Cameron publicly promised to “get a grip” on the issue. I spoke to a Ukip council candidate who has been hit by the bedroom tax: he has a spare room now his invalid wife has died.
The Witney food bank is crammed in a tiny garage on the edge of town, because nowhere in this rich town, not even a church, will house it, yet demand is high. Julie, who runs it, cried when a man came in with four bags of food in repayment for feeding him, now the Department for Work and Pensions had finally sent his money. Cameron visited once, but brought nothing, says Duncan Enright, councillor and Labour candidate here, a man who devotes himself selflessly to local campaigns in this deep blue zone. He found a man and his son sleeping locally in a tent for weeks recently. Wages are low, he says, and housing impossible.
Even here, in this rustic idyll, there are people struggling and Tory voters can see it too, with day-centre charges soaring and service cuts growing. But the Tory party is swimming out to sea on a tide of Euromania, in the grip of a nihilist ideology. Only disconnect from Europe and all will be well – that doesn’t sound likely to connect with most voters’ lives."
"I just visited his Witney constituency – a safer seat is hard to find. Yet when you lift the yellow Cotswold paving stones, even there you find the depredations of his government biting deeply. The local housing association can’t find smaller properties for its 252 residents hit by the bedroom tax: 47% are in arrears. The local domestic violence service is losing its helpline and 40% of its funds, though Cameron publicly promised to “get a grip” on the issue. I spoke to a Ukip council candidate who has been hit by the bedroom tax: he has a spare room now his invalid wife has died.
The Witney food bank is crammed in a tiny garage on the edge of town, because nowhere in this rich town, not even a church, will house it, yet demand is high. Julie, who runs it, cried when a man came in with four bags of food in repayment for feeding him, now the Department for Work and Pensions had finally sent his money. Cameron visited once, but brought nothing, says Duncan Enright, councillor and Labour candidate here, a man who devotes himself selflessly to local campaigns in this deep blue zone. He found a man and his son sleeping locally in a tent for weeks recently. Wages are low, he says, and housing impossible.
Even here, in this rustic idyll, there are people struggling and Tory voters can see it too, with day-centre charges soaring and service cuts growing. But the Tory party is swimming out to sea on a tide of Euromania, in the grip of a nihilist ideology. Only disconnect from Europe and all will be well – that doesn’t sound likely to connect with most voters’ lives."
Tuesday, 2 September 2014
Great number-crunching behind 'wonder' academy
Could I please send you across to the blog of 'Disappointed Idealist' for a fantastic and fair analysis of the 'Mossbourne phenomenon' i.e. the flagship academy that is held up as the reason why all schools should be academies.
Here's the link: disidealist.wordpress.com/2014/07/25/mossbourne-academy-the-model-for-us-all
Here's the link: disidealist.wordpress.com/2014/07/25/mossbourne-academy-the-model-for-us-all
Great student comment on thread following my Guardian article
"I'd be interested to know, how many of the people here attacking Michael Rosen are currently in or have recently been through the education system? Because it's not his background that makes his views valid, it's that he's right. I've just finished school, I've been to state comprehensives all my life. I will now be attending university and in four years time I will have over £50000 in debt and I agree with Michael Rosen.
If I saw diversity among the education team I would find it far easier to have confidence in it. Now the secondary school I went to was very good and so was the sixth form, so good in fact that when looking at applications universities consider to be a private school and yet the students attending have come from a wide diversity of schools some of which this year achieved less than 50% A*-C grades in their GCSEs. My school achieved over 90%. Now is out really fair in this adjustment process of GCSE grades to class these students as the same? No, but they do.
We need to know about the diversity within an area. We need to see what's really going on with free schools. My sixth form was one that lost out when some of the sixth form funding was turned over to free schools. It would there educate only a tenth as many students. Only those with the interest of the students in mind should be allowed to make policy on education. Or at the very least they should listen when we speak up. "